The full text of Senior Independent Study Theses submitted during and after 2012 are available to download only by College of Wooster users. Unless listed as an exemplar, all other theses are restricted.

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Senior Independent Study Theses from 2023

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Molding a New You: Exploring the Therapeutic and Healing Properties of Clay, Lucy Agurkis
Department: Art and Art History

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Hair, Food, and Relationships, Inethia M. Allen
Department: Art and Art History

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Making My Body My Own: The Innate Queerness of Tattooing, Jay Daigle
Department: Art and Art History

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"Through the Veil", Noor Ul Hannan
Department: Art and Art History

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The Persistent Illusion of the Medici Reality, Isabelle C. Hoover
Department: Classical Studies; Art and Art History

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Journey: Exploring Animation Through Story, Helen Kohlmetz
Department: Art and Art History

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The Cowboy Way, Morgan C. Kromer
Department: Art and Art History

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According to Plan: An Introspection, Vanessa Morris
Department: Art and Art History

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A Home for People and Planet: Assessing the Feasibility of Sustainable Affordable Housing by Designing a Proof-of-Concept, Jennifer Teare Mynard
Department: Art and Art History; Environmental Studies

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Architectural Style Changes in Arizona Homes: How a Place Becomes a Home During Different Times Periods, Hayley Nash
Department: Art and Art History

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Working Women: How Early Modern Women Artists Generated Empowering Self-Portraits in Male Dominated Italian Culture, Jessica R. Olson
Department: Art and Art History

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Red Sword-White Canvas: The Past, Present, and Future of the Avant-Garde and Avant-Garde Aesthetics, Ben Read
Department: Art and Art History; Philosophy

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Soothed by the Sublime, Janette R. Seaton-Evans
Department: Art and Art History

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The Beauty and Solace in Loneliness: Using Light, Design, and Iconography to Showcase Acceptance and Edification, Olivia Medaglia Watling
Department: Art and Art History

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All the Lonely People: Edward Hopper's Imagery of Isolation and the Impact of his Work, Jane C. Wight
Department: Art and Art History

Senior Independent Study Theses from 2022

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"What Is The Recipe For Emotion?", Ivan M. Akiri
Department: Art and Art History; Theatre and Dance

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Rockin' Cities Underground: An Urban Morphological Lens In The Archaeological Cavate Sites Of Derinkuyu And Naours, Anabelle Valeur Andersen
Department: Archaeology; Art and Art History

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Mortal Bones: An Exploration Into The Use Of The Skeleton As A Mirror Of The Self In European Symbolist Art, Lili E. Bosler
Department: Art and Art History

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Tactilely Tubular Passageways: A Sculptural Exploration Of Accessible Play Spaces, Griffin Morgan Rose Carnett
Department: Art and Art History

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Clifton Canidae: An Anthropological And Sculptural Exploration, Sydney D. Clifton Ms
Department: Sociology and Anthropology; Art and Art History

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Honk For Milk! A Nod To My Nostalgia For Not-Nowhere, Ohio, Etta Rain DeMartino
Department: Art and Art History

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An Inspired Disease: On Making Art, its Pitfalls, its Consequences, its Rewards, Max H. Johnson
Department: Art and Art History

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Spiritual And Sexual Simultaneity: The Fourteenth-Century Psalter Of Bonne Of Luxembourg, Zoe Johnson
Department: Art and Art History

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Living In The Ruins Of Utopia: The Collapse Of The Soviet Union And The Formation Of Russia's Postcolonial Identity, Erik G. Livingston
Department: Art and Art History

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Exploring Classical Techniques Through Portraiture As A Combination Of Image And Object, Maya McDonald
Department: Art and Art History

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Botanical Reverie: Radical Transcendentalism Grown From Water, Ancestry, And Light, Catie M. Rogan
Department: Art and Art History

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Integrating Art History Into K-5 Social Studies Classrooms, Kate L. Schlegel
Department: Art and Art History

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Euripides' Medea In Sculptural Performance, Patrick K. Wellman
Department: Art and Art History; Theatre and Dance

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Women, Autonomy, Authenticity, And Motherhood, Rebecca Wu
Department: Art and Art History; Philosophy

Senior Independent Study Theses from 2021

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The Art of Atmosphere in Stop-Motion Animation, Abigail Fisk
Department: Art and Art History

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Angels and Saints in a Modern Renaissance, Elena Hart
Department: Art and Art History

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Bursting at the Seams, Piper Hamilton Hartman
Department: Art and Art History

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Preserving Keith Haring’s Legacy of “Art for All” through the Study of the Chemical Degradation of Daylight Fluorescent Paints and their Constituent Rhodamine Dyes, Georgia L. Hopps-Weber
Department: Chemistry; Art and Art History

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Visualizing Concepts: Generative Adversarial Network (GAN) visuals synthesized from semantic vectors, Alayt Abraham Issak
Department: Art and Art History; Mathematics

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The Art of Reconciliation: The Influence of the Black Community on the Detroit Institute of Arts, Jillian Kouayara
Department: Art and Art History

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Adding to the Narrative: Stories of the Holocaust through Portraiture and the Museum, Marloes Krabbe
Department: Art and Art History; Sociology and Anthropology

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American Dragon: A Story of an Asian American Woman Finding Her Way Home, Hannah Langer
Department: English; Art and Art History

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Dissociation, Maria Martinez
Department: Art and Art History

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Wide Open, Lila Miller
Department: Art and Art History

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As The Looking Glass: An Introspection at Minority and Traumatized Identities, Indigo A. Quashie
Department: Art and Art History

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Whatever Happens Tomorrow, At Least I Existed: A Journey of Self Discovery Through Self-Portraiture, Alexa B. Rakosky
Department: Art and Art History

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Artifacts of Culture: Encounters with Multivocal Objects in Margaret of Austria’s 16th-Century Library, Jonas Short
Department: Sociology and Anthropology; Art and Art History

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The Tel Kabri Wall and Floor Paintings: Microcosms of Mediterranean Middle Bronze Age Trade and Representations of a Canaanite Palatial Economy, Christine Weber
Department: Archaeology; Art and Art History

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The Self in the Context of Social Media, Leslie Weekley
Department: Art and Art History

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Seeing Red: Investigation of the Color’s Use in Early Baroque Art and Stability Based Upon Pigment Preparation, Lilly Woerner
Department: Chemistry; Art and Art History

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Dragon Nest: Immersive Experience Design, Mika Yonaha
Department: Art and Art History; Computer Science; Theatre and Dance

Senior Independent Study Theses from 2020

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I Made This With My Hands, Andrea Arts
Department: Art and Art History

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Monet and the Western Kimono: The Creative Reasoning and Critical Legacy of La Japonaise, Katarina Margaret Baltisberger
Department: Art and Art History

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Wood, Paper, and Glue: Studying the Book Beyond Its Bindings, Jack R. Felch
Department: Art and Art History

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The Symbolist Inheritance of the Celtic Revival (1880-1930): Female Illustrators and Printmakers as Codifying Agents of Irish Visual Expression, Claire M. Jennings
Department: Art and Art History

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Nascent Archaeology: The Reception of Classical Antiquity During the Renaissance, Lauren Ashley Kozlowski
Department: Art and Art History; Archaeology

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Exploration of Cultural Identity Among Chinese Avant-Garde Artists: An Analysis of Xu Bing, Gu Wenda, and Huang Yongping, Qingyue Li
Department: Art and Art History

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Character: A Study in Kinship, Gloria Murray
Department: Art and Art History

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Through the Looking Glass: A Self Portraiture Exploration of Selfhood and Identity, Kelsey M. Nolin
Department: Art and Art History

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Appropriation: Black Hair & Black Culture, Donyea M. Ruffin
Department: Art and Art History

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Chasing Gold Statues: A Study of Kanye West and the Case for Abstract Minimalism in the Digital Age, Sarah Stutler
Department: Art and Art History; English

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The Surge of Religious Polychrome Sculptures in the Golden Age of Spain as Vivid Artistic Responses to the Call of the Counter Reformation, Samantha Tromba
Department: Art and Art History

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Inventing Christine de Pizan: Art and Authorship in Late Medieval France, Adria Leigh Woodruff
Department: Art and Art History

Senior Independent Study Theses from 2019

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The Witch’s Apprentice: An Original Graphic Novel, Lorelei KM Carrier
Department: Art and Art History

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Thus Come: The Making and Seeing of the Buddha in China, Julia S. Cavallo
Department: Art and Art History; Chinese Studies

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Liminal Souls, Liminal Bodies: Michelangelo’s Non Finito and the Poetics of Liberation, Mackenzie Clark
Department: Art and Art History; English

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In the Act of Witnessing Art, Regan Concannon Clark
Department: Art and Art History; English

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Opening Ghiberti’s Gates of Paradise: The Work of Art and its Contexts between Renaissance Florence and Modern Museum Culture, Ilaria Novella Crum
Department: Art and Art History; Sociology and Anthropology

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Dancing with Wooster: Strengthening Community through Self-expression and Collaborative Art, Juliana Davis
Department: Art and Art History

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“Marblescape of Memory”: An Examination of Aesthetics, Identity Construction, and Museum Display through the Appropriation of Ancient Greek Sculpture in Neoclassical England, Presley Feezell
Department: Art and Art History; Sociology and Anthropology

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When Science and Art Collide: Learning the Methods Like a Scientist in Order to Break the Rules Like an Artist, Marissa Bailey Fiume
Department: Art and Art History; Biology

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The Process of Mending: A Cathartic Exploration of Personal, Social, and Familial Relationships, Reagan N. Kazyak
Department: Art and Art History

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A Rubbish Affair When Art Met Tech: Dissecting How Consumerism’s Recycling Exploits Southeast Asian Environment Through a Virtual Art Experience Using Leap Motion Technology for Gestural Commands and Physical Interactions, Thanh Nguyen
Department: Computer Science; Art and Art History

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Yogyakarta 1948: National Identity and the Indonesian National Revolution (1945-1949), Emily J. Root
Department: Art and Art History; History

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The African Female narrative explored through art: A transnational Generation of Women, Toshiko Tanaka
Department: Art and Art History; Communication Studies

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Intersections, Hao Tang
Department: Art and Art History

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Pyae Thein's Life: A Visual Representation Using Pufferfish and Octopus, Pyae Thein
Department: Art and Art History

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Pursue This Discourse Instead: Deconstructing Settler Colonialism and Climate Change Through Art, Carolyn S. Webster
Department: Art and Art History

Senior Independent Study Theses from 2018

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A Visual Analysis of the Medical Profession as Portrayed Through Nineteenth Century Painting and Photography, Caroline A. Click
Department: Art and Art History

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Wine, Women, and Woodcuts: the Maintenance of the Isolated Landsknechte Marginalized Society in Sixteenth-Century Germany, as Shown through the Dissemination of Military Genre Prints, Kathryn Connors
Department: History; Art and Art History

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The Role of Children in Seventeenth-Century Dutch Paintings: Social Distinction and National Identity, Helena Enders
Department: Art and Art History

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Illuminate: Nightlight Lamp & Lantern Series, Kari Everson
Department: Art and Art History

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Help! She’s Fallen and She Can’t Get Up!: Pre-Raphaelite Depictions of the Fallen Woman and the Consequences She Faces, Specifically in the Works of William Holman Hunt, Lander McCarthy
Department: Art and Art History

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Locality Test of the Simple Ocean Data Assimilation (SODA) in the Bering Strait, Jacob Nowell
Department: Art and Art History; Geology

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The Importance of Children's Literature: Combating Children's Understanding of Gender Roles/Biases Informed From Meida, Ashley Christine Plassard
Department: Art and Art History; Education

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Influences Throughout the Generations, Jessy A. B. Pojman
Department: Art and Art History

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Cosmopolitan Love: Contextualizing and Reimagining Race in America, Vy Vu
Department: Art and Art History; English

Senior Independent Study Theses from 2017

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A Lens of Our Own: A Feminist Photovoice Exploration of LGBTQ+ Experience at The College of Wooster, Foster J. Cheng
Department: Art and Art History; Women’s, Gender, and Sexuality Studies

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Dead Cultures, Imagined Contexts: The Ogtogmaní-khün, Emily Brett Glickman
Department: Art and Art History

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Plays with Words: Understanding Visual Interpretation through Ed Ruscha's Text Works, Claire E. Ilersich
Department: Art and Art History; Philosophy

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The Science of Art- Exploring the Gum Bichromate Process- Landscape Microscopy and Geo-Photography, Cassidy D. Jester
Department: Art and Art History

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Self Portraits, Mariah Joyce
Department: Art and Art History

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The Art of Function: An Exploration in Reclaimed Furniture Design, Abbey E. Partika
Department: Art and Art History

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Beach Haven: A Photographic Exploration of Long Beach Island, Theresa M. Spadola
Department: Art and Art History

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Great Camp Sagamore: An Integration of Nature, Architecture, and the Sublime, Allison Turner
Department: Art and Art History

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Finding Salvation Through Pilgrimage: Dante’s Influences on Hell scenes and Chaucer and the Relationship to Salvation, Alexandra Wendt
Department: Art and Art History; English

Senior Independent Study Theses from 2016

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Amassing Subsistence: Creating an Environment Through Objects and Time, Matilda J. Alexander
Department: Art and Art History

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Near and Far: A Series of Paintings Exploring the Concept of Home, Hannah Ayers
Department: Art and Art History

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Serendipity in Liminality: A Photographic Study of the Liminal Space in Music Performance, Chelsea B. Carlson
Department: Art and Art History

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Making and Mindfulness: How Process-Oriented Tasks Encourage Reflection and Lead to Recovery, Devin DeLaney
Department: Art and Art History

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Home Is Where…? : A Visual And Textual Exploration Of Home, Nostalgia, And Persona, Dallas K M Dickey
Department: Art and Art History; English

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Dynamic Beauty: The Journey to Perfection, Jenna L. Hunkins
Department: Art and Art History

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Custom Framing: An Analysis of Camille Pissarro's "Les Turpitudes Sociales" within a Base-Superstructure Model, Robin S. Klaus
Department: Art and Art History

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Stress Induced Deterioration of the Human Form, Anna Kruse
Department: Art and Art History

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"Let Them Eat Crack": A Look at Street Art Culture and Banksy’s Epitomizing Role in the Advancement of Graffiti as Art, Melissa K. Ladd
Department: Art and Art History