Abstract

This paper explores the intersection of sustainable fabrication and narrative-driven prop design within the world of theatre. Focusing on the clash between throwaway habits in current staging methods and rising demands for greener choices, the research investigates whether sustainably fabricated props can meet the quality standards of storytelling, durability, and aesthetics required for short to medium-length theatrical runs. The study begins with a historical and cultural analysis of prop-making, from the symbolic and sustainable practices of Ancient Greek and Shakespearean theatre to the material shifts brought about by the Industrial Revolution and the high-fidelity demands of film and television. This context informs the physical component of the project: the design and fabrication of a modular Audrey II puppet from the show Little Shop of Horrors. Utilizing 3D modeled, biodegradable PLA plastic and a modular tube chain body, the build process prioritizes renewability and biodegradability without sacrificing the character's essential alien and earthly visual traits. Through a reflective analysis of the build’s successes and mechanical challenges, including 3D printing failures, tension-based articulation, and personal limitations, the paper concludes that sustainable methods are not only viable but offer unique creative opportunities, such as non-humanoid symmetry and modular reuse. Ultimately, this work serves as proof of concept for low-budget theaters, demonstrating that environmental consciousness can be an integral, beneficial aspect of the artistic process.

Advisor

Skala, Naoko

Department

Theatre and Dance

Disciplines

Other Theatre and Performance Studies | Theatre History | Visual Studies

Keywords

Prop, Props, Puppet, Puppetry

Publication Date

2026

Degree Granted

Bachelor of Arts

Document Type

Senior Independent Study Thesis

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