Abstract

This Independent Study explores the way that doing specific historical research can affect directing plays by Black women playwrights with ostensibly Black themes. I argue that public terror lynching is an American theatre tradition and that Black women have been decentered in national cultural memory. Through analyzing language and selected authors, I ask how researching the topic of Black women’s involvement in historical lynching narratives affects my directing of Sally’s Rape by Robbie McCauley with the goal of centering Black women’s narratives and feminizing the complexities of white and Black women’s interracial friendships.

Advisor

Baird, Emily

Department

Theatre and Dance

Disciplines

Africana Studies | American Studies | Other Theatre and Performance Studies | Performance Studies | Race, Ethnicity and Post-Colonial Studies

Keywords

Racial violence, directing, Black women, terror lynching, Reconstruction, approach to directing, metacognition, Theatre for Social Change, Africana Theatre

Publication Date

2022

Degree Granted

Bachelor of Arts

Document Type

Senior Independent Study Thesis

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