Abstract

An exploration of how the Coen brothers challenge classical genre theory and postmodern theory in film. This thesis analyzes Fargo, Barton Fink, and The Big Lebowski so as to further the argument that the Coen brothers create their films in a unique and specific way.

Advisor

Maclean, Robert

Department

English

Disciplines

Film and Media Studies

Publication Date

2015

Degree Granted

Bachelor of Arts

Document Type

Senior Independent Study Thesis

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