Abstract
Museums are respected institutions that exist virtually everywhere, where people can go to learn about art, history, science, and a number of other topics. Recently, creation museums have gained popularity, further fueling the “evolution versus creation” debate in the United States. While there is some anthropological research on natural history and creation museums, few compare the two. This research examines the ways in which exhibitors at a natural history museum in northeast Ohio and a creation museum in northern Kentucky understand human origins, and how they subsequently display these interpretations to the public. I conducted three interviews at both museums as well as an in-depth content analysis of all labels pertaining to human origins and modern humans. This research also draws on Pierre Bourdieu’s theory of capital in relation to visitors’ and exhibitor’s experiences at museums. Although their views are drastically different, I found several themes shared between both museums which reflect their respective interpretations and display techniques.
Advisor
Frese, Pamela
Department
Sociology and Anthropology
Recommended Citation
Shvets, Karina E., "Adam, Eve, & Lucy: An Ethnographic Study of How Two Museums Display Human Origins" (2015). Senior Independent Study Theses. Paper 6829.
https://openworks.wooster.edu/independentstudy/6829
Disciplines
Anthropology | Education | Other Anthropology | Science and Mathematics Education
Keywords
museum, anthropology, museum anthropology, creationism, creation museum, natural history museum, Pierre Bourdieu
Publication Date
2015
Degree Granted
Bachelor of Arts
Document Type
Senior Independent Study Thesis
© Copyright 2015 Karina E. Shvets