Abstract
In our modern society, tarot cards are affiliated with esoteric practice, arcane wisdom, and occasionally, feminine spirituality. Since the deck's inception in Renaissance Italy as a parlor game, the tarot has existed as a representation of gender due to the ubiquitous female image in card visuals. Yet, what once served as an entertainment device and a means of sexual interaction in the Milanese court, transformed into a divination tool used in eighteenth-century occult practice. Though female personifications have remained a present and defining feature of the Major Arcana cards, subtle changes in tarot imagery and changing societal perceptions of gender renovated the deck's cultural significance and altered the connotations of its visual iconography. This study will examine the identity and purpose of the tarot between two societies during which the cards were rampant in popular culture and will examine how changes in social mentalities of gender informed the deck's contemporary sexual and esoteric identity.
Advisor
Gamble, Harry
Second Advisor
Morrow, Kara
Department
Art and Art History; French and Francophone Studies
Recommended Citation
Piemonte, Megan Mary, "From Renaissance Entertainment to Occult Divinitory Practice: An Iconographic Study of the Sexual Female Image in Tarot" (2013). Senior Independent Study Theses. Paper 158.
https://openworks.wooster.edu/independentstudy/158
Disciplines
French and Francophone Language and Literature | History of Art, Architecture, and Archaeology | Other Feminist, Gender, and Sexuality Studies
Keywords
tarot, gender, iconography, occult, france, renaissance, vagina dentata
Publication Date
2013
Degree Granted
Bachelor of Arts
Document Type
Senior Independent Study Thesis
© Copyright 2013 Megan Mary Piemonte