Abstract
This study aims to evaluate the differences and similarities in how female and male characters are portrayed using gendered behaviors in Western and Japanese film contexts. The two studios included are Walt Disney, as the Western film company, and Studio Ghibli, as the Japanese film company. Three films were selected from Disney, which include Snow White and the Seven Dwarfs (1937), Mulan (1998), and Frozen (2013). Studio Ghibli films include Castle in the Sky (1986), Princess Mononoke (1997), and When Marnie Was There (2014). Conducting a content analysis by using England’s coding book (2011), this study found that there was a cyclical pattern in how women were portrayed throughout the years. Female characters in both studios were portrayed first as feminine, then masculine in the 1990s, and back to being feminine in the 2010s. Male characters had a cookie-cutter depiction since they were often portrayed with traditionally masculine traits and were rarely shown to possess feminine traits. Villains were commonly shown to be depicted as masculine in both studios.
Advisor
Yavari, Mehri
Department
Communication Studies
Recommended Citation
Grover, Brendan T., "Gendered Borders In American And Japanese Animation: The Portrayal of Masculinity and Femininity in Walt Disney and Studio Ghibli" (2026). Senior Independent Study Theses. Paper 13266.
https://openworks.wooster.edu/independentstudy/13266
Disciplines
Gender, Race, Sexuality, and Ethnicity in Communication
Keywords
gender portrayal, gender performativity, masculinity, femininity, Walt Disney, Studio Ghibli, animation, gender, Snow White and the Seven Dwarfs, Mulan, Frozen, Princess Mononoke, Castle in the Sky, When Marnie Was There
Publication Date
2026
Degree Granted
Bachelor of Arts
Document Type
Senior Independent Study Thesis
© Copyright 2026 Brendan T. Grover
