Abstract

My Senior Independent Study is a comparative study between the Classical Greek-era Mysteries of Dionysus, the Roman Imperial-era Cult of Dionysus, and contemporary Neopaganism. Utilizing a close reading of primary (Euripides, Plato, Livy) and secondary (Bowden, Burkert, Turcan) classical sources and the anthropological method of interview, I have isolated some of the key myths, rituals, and symbols of Dionysian cultic worship in three distinctive cultures situated in specific regions within particular spans of time. I believe that Dionysius, as one of the most popular mystery cult deities and a powerful artistic and religious force today, is a powerful archetypal figure whose myths, rituals, and symbols are relevant in many cultures regardless of the boundaries of space and time. I verify this belief through the symbolic/interpretive anthropology of Victor Turner, Clifford Geertz, and Barbara Myerhoff and the culture/tradition creation theory of Eric Hobsbawm. The overall purpose of my I.S. is to prove identify the key features of Dionysian worship in order to highlight the multiple iterations of a specific expression of religion involving a personal, ecstatic union with one's deity, an initiation based on the revelation of the "mysteries," and a deep respect for mythology, its ritual interpretation, and the symbols enacted within ritual.

Advisor

Florence, Monica

Second Advisor

Frese, Pamela

Department

Classical Studies; Sociology and Anthropology

Disciplines

Folklore

Keywords

dionysus, neopaganism, classical greece, imperial rome, turner, myerhoff, hobsbawm, invented tradition

Publication Date

2013

Degree Granted

Bachelor of Arts

Document Type

Senior Independent Study Thesis

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© Copyright 2013 Justin Kalinay