Abstract

The purpose of this project is to examine masculinity in two films released in the past 25 years. This study employs the method of comparative content analysis to interrogate how Fight Club and The Wolf of Wall Street frame and reinforce masculine norms and how they construct gender expectations. In the analysis both films were found to adhere to several traditionally masculine norms in varying degrees. Each film highlights their characters’ privilege while inviting vicarious viewing for its male audience, and place female characters in roles that limit their development and put them in a position to be objectified. The results of this research demonstrate the ways in which gender and race continue to be constructed in film through existing power dynamics and longstanding conventions. They also highlight the significance of media as a tool that can reflect and reshape society.

Advisor

Rousset, Simon

Department

Global Media and Digital Studies

Disciplines

Arts and Humanities | Film and Media Studies | Other Film and Media Studies | Visual Studies

Keywords

film, masculinity, gender, violence, construction, emotion, objectification

Publication Date

2023

Degree Granted

Bachelor of Arts

Document Type

Senior Independent Study Thesis

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